Vulture Magazine

Gig Reviews

No Art EP Launch @ The Workers Club

April 20, 2012 by Ryan Lloyd in Gig Reviews, Latest News with 0 Comments

With a name like No Art – and at the Workers’ Club of all places – you could possibly be forgiven for having written off this Sydney band’s Thursday night EP launch amid visions of posturing and pretention. You would, however, have made a grievous mistake.

Having left an indelible impression on The Vulture after their two sets at Wellington’s Camp A Low Hum in February, No Art’s launch of the Exotica EP in Melbourne saw them reaffirm their reputation for powerful live performance.

For the as yet unaware, you should be training your mind upon a musical region somewhere around that forest Liars are always hanging out in, and listening to the drums: tribal without being sloppy, driving the rhythm forwards through subtlety rather than brute force. There’s a shimmer of 4AD guitar that suggests that this forest, far from the autumnal realm Liars inhabit, has frozen over. Trischelle Roberts’ vocal delivery, somewhat reminiscent of a young PJ Harvey, and measured bass add a backbone of post-punk aggression that coheres the act.

Supported by the fantastic High Tea, whose evocative music shares a narrative quality with that of Dirty Three, even if their styles resemble one another not a bit. Their musical depiction of a sunset duel had the whole room – modestly populated as it was – paying close attention, and willing to overlook the historical tendency for duels to be fought at dawn and not dusk.

A squalling barrage from Interzone was contrasted sharply with the electronic of ASPS in the interim, before No Art’s set began, the mood casual throughout, as it invariably is in the Workers’ Club bandroom.

There’s a pervasive sense of potential when watching this band perform. They feel very young: not in any sense that should be taken to mean they are green, or that they lack artistic cohesion, rather that the ideas they bring to bear in their sets represent a snapshot of a process that is continuing to evolve, and is far from exhausted.

Tagged , , , , , , ,

Leave a Reply

Your email address will not be published. Required fields are marked *

*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Things To Do
  • 10 Things To Do In Melbourne This Week: 6 – 12 May
  • 10 Things To Do In Melbourne This Week: 29 April – 5 May
  • 10 Things To Do In Melbourne This Week: 22 – 28 April
  • 10 Things To Do In Melbourne This Week: 15-21 April
  • 10 Things To Do In Melbourne: 8 – 14 April
Like Us
facebook
Follow Us
twitter
Send Us Nude Selfies
instagram
The Vulture
  • Splendour Spotlight: Knee Deep in James Blake
  • 10 Things To Do In Melbourne This Week: 13 – 19 May
  • London Grammar Speaks Fluent Rad
  • Just Catching a Tram? You Might Strike Gold
  • SYN FM to Stick it to Stephen Conroy
  • Slayer Guitarist Dies
About Vulture Magazine

From festivals to fashion to French kissing, Vulture has got you covered. With all the confidence of your sleazy uncle and the allure of a Swedish backpacker caught in the rain, Vulture Magazine is your second favourite drug starting with V. Surround it.

Weekly Features
  • Vulture Vision: New Music Video of the Week, May 17
  • The Vulture Nest: Latest Music News, May 16
  • 5 Tracks You Gotta Hear: 14 May
  • Vulture Vision: New Music Video of the Week, May 10
  • The Vulture Nest: Latest Music News, May 9
Album Reviews
  • Album Review: Daft Punk – ‘Random Access Memories’
  • EP Review: London Grammar – ‘Metal And Dust’
  • Album Review: Fourteen Nights At Sea, ‘Great North’
  • Album Review: Big Black Delta – ‘Big Black Delta’
  • Album Review: Clutch – ‘Earth Rocker’
Vulture Cloud